H. J. Andrews Experimental Forest, Oregon - 40" x 20"
In 2021 I wrote and co-hosted a limited-series program for PBS Digital Studios called In Our Nature, which sought to make connections between environments in Tanzania, Africa, and across the United States. For one segment about nutrient cycling (aka, when a tree falls in the forest, how long does it take for worms to eat it?), I went to the H. J. Andrews Experimental Forest in Oregon, which was a location I’d wanted to film ever since I learned about the concept of an “experimental forest.” Researchers at the Andrews Forest have been conducting long term research studies to learn about the process of natural decay, sometimes on the magnitude of years- to decades-long projects. It can take centuries for a tree to fully decay once it falls, and the episode is an homage to those detritivores – aka “mulch munchers” – who we owe so much credit to, for cleaning up after the rest of us.
Throughout filming I was repeatedly struck with the immense scale of our subject matter in every sense of the word, from the inconceivable lifetimes of Oregon’s towering cedar trees, to the physical size of them. I don’t typically paint figures into my paintings, but felt I needed to stick myself in here as a frame of reference.
You can watch that segment here on YouTube, or catch the entire series on PBS Digital Studios’ “Be Smart” channel.
Prints of this painting are also available.
In 2021 I wrote and co-hosted a limited-series program for PBS Digital Studios called In Our Nature, which sought to make connections between environments in Tanzania, Africa, and across the United States. For one segment about nutrient cycling (aka, when a tree falls in the forest, how long does it take for worms to eat it?), I went to the H. J. Andrews Experimental Forest in Oregon, which was a location I’d wanted to film ever since I learned about the concept of an “experimental forest.” Researchers at the Andrews Forest have been conducting long term research studies to learn about the process of natural decay, sometimes on the magnitude of years- to decades-long projects. It can take centuries for a tree to fully decay once it falls, and the episode is an homage to those detritivores – aka “mulch munchers” – who we owe so much credit to, for cleaning up after the rest of us.
Throughout filming I was repeatedly struck with the immense scale of our subject matter in every sense of the word, from the inconceivable lifetimes of Oregon’s towering cedar trees, to the physical size of them. I don’t typically paint figures into my paintings, but felt I needed to stick myself in here as a frame of reference.
You can watch that segment here on YouTube, or catch the entire series on PBS Digital Studios’ “Be Smart” channel.
Prints of this painting are also available.
In 2021 I wrote and co-hosted a limited-series program for PBS Digital Studios called In Our Nature, which sought to make connections between environments in Tanzania, Africa, and across the United States. For one segment about nutrient cycling (aka, when a tree falls in the forest, how long does it take for worms to eat it?), I went to the H. J. Andrews Experimental Forest in Oregon, which was a location I’d wanted to film ever since I learned about the concept of an “experimental forest.” Researchers at the Andrews Forest have been conducting long term research studies to learn about the process of natural decay, sometimes on the magnitude of years- to decades-long projects. It can take centuries for a tree to fully decay once it falls, and the episode is an homage to those detritivores – aka “mulch munchers” – who we owe so much credit to, for cleaning up after the rest of us.
Throughout filming I was repeatedly struck with the immense scale of our subject matter in every sense of the word, from the inconceivable lifetimes of Oregon’s towering cedar trees, to the physical size of them. I don’t typically paint figures into my paintings, but felt I needed to stick myself in here as a frame of reference.
You can watch that segment here on YouTube, or catch the entire series on PBS Digital Studios’ “Be Smart” channel.
Prints of this painting are also available.
ABOUT THE ORIGINAL:
Materials: Acrylic on canvas
Dimensions: 20” x 40”
Paintings are signed on the frame and can be signed on the front upon request. Prints of this painting are also available.
SHIPPING:
Shipping is via UPS and is only available in the continental U.S. at this time. Each painting is carefully packaged in a crush-resistant cardboard box to ensure safety in transit. Shipping fees include materials, handling, and insurance. A signature is required upon delivery.
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